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Having elicited much attention in the humanities in recent years, transcultural phenomena will, in all probability, remain a topic of debate in the near future. Being the product of a collaborative act of writing involving nine authors with different specializations, this study is an introduction to the study of phenomena of transcultural entanglement as well as an effort at systematically exploring this field of research from different medievalist perspectives.
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Having elicited much attention in the humanities in recent years, transcultural phenomena will, in all probability, remain a topic of debate in the near future. Being the product of a collaborative act of writing involving nine authors with different specializations, this study is an introduction to the study of phenomena of transcultural entanglement as well as an effort at systematically exploring this field of research from different medievalist perspectives.
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Having elicited much attention in the humanities in recent years, transcultural phenomena will, in all probability, remain a topic of debate in the near future. Being the product of a collaborative act of writing involving nine authors with different specializations, this study is an introduction to the study of phenomena of transcultural entanglement as well as an effort at systematically exploring this field of research from different medievalist perspectives.
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Synthèse historique sur le Moyen Age restituant les faits et les personnages dans leur enchaînement logique et chronologique. L'histoire européenne est saisie dans ses relations avec le Proche-Orient, dessinant trois périodes : la domination de l'Orient byzantin (Ve-Xe siècle), l'essor de l'Occident chrétien (XIe-XIIIe siècle), la transition vers le monde moderne (XIVe-XVe siècle). ©Electre 2016
Middle Ages --- Moyen Age
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History, Ancient --- Middle Ages --- Archaeology
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La traduction avec, en regard, le texte original latin du plus bel écrit de Nicolas de Cues. Le De visione Dei, ou De icona, a été composé entre le 14 septembre et le 23 octobre 1453. Ce traité, l'œuvre la plus belle du Cusain, est né à l'occasion d'une controverse sur le rapport entre la connaissance et l'amour dans l'union à Dieu, qui portait sur l'interprétation de la théologie mystique de Denys l'Aréopagite. Né d'un problème précis, il soulève une question essentielle et rendue actuelle par l'œuvre d'Emmanuel Levinas : quelle est la nature de la relation d'un visage face à un autre ? Dans l'église de Saint-Pierre-aux-Liens, à Rome, dont le Cardinal était titulaire, en face du Moïse de Michel-Ange, se dresse le tombeau de Nicolas de Cues. Un bas-relief le représente, en attitude d'humble soumission devant saint Pierre désenchaîné par un ange, à genoux, les mains jointes, le chapeau de cardinal à terre. On peut y contempler le portrait de ce serviteur de l'Église, surnommé l'« Hercule du pape Eugène IV ». Nicolas de Cues est l'auteur d'une œuvre remarquable. Celle-ci fait l'objet d'un regain d'intérêt auprès de chercheurs de plus en plus nombreux. Difficile à classer, le philosophe mosellan – parmi les plus profonds – se situe à la frontière du Moyen Âge et de la Renaissance. Principal héritier de Maître Eckhart, il prolonge le passé par son rattachement au néo-platonisme et annonce les idées nouvelles par ses théories audacieuses. Il faut voir en lui un philosophe de transition, un « passeur ».
Mysticism. --- Mysticism --- God. --- Middle Ages.
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Christopher Marlowe was born in Canterbury to shoemaker John Marlowe and his wife Catherine. His exact date of birth is not known, but he was baptised on 26 February 1564. And with this, Christopher Marlowe, one of the supreme English literary talents, made his entrance into the world. Little is really known of his life except that from an early age, even at University, he was perhaps working as a spy. His short life was filled with writing great works of exceptional quality. From the Jew of Malta to Doctor Faustus and Tamburlaine the Great Parts I playwright and poet. An original. Christopher Marlowe was buried in an unmarked grave in the churchyard of St. Nicholas, Deptford on June 1st, 1593. Had his life not been so curtailed it seems that the Elizabethan Age may well have had two giants of equal standing: Shakespeare and Marlowe.
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